Undine Rising from the Waters, ca. 1880-1882, by Chauncey Bradley Ives (1810-1894), in the Yale University Art Gallery. See also Image:Undine_Rising_from_the_Waters,_back.jpg. Date: 19 December 2006 (according to Exif data) Source: No machine-readable source provided. Own work assumed (based on copyright claims). Author. White marble seems to dissolve into rippling wet fabric as the water nymph Undine changes from liquid to human form. Abandoned by her husband, the heartbroken nymph is seeking revenge: an embrace that will drown him with tears. Magical episodes like Undine's metamorphosis—made famous by an 1811 German fairy tale—gave Chauncey Ives and other American sculptors valuable opportunities to.
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Undine Rising from the Waters by Chauncey Bradley Ives 1884
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Undine Rising from the Waters represents a departure from the portrait busts and depictions of children that had been popular among wealthy Americans making their Grand Tour. The subject is drawn from the popular novella by Friedrich de la Motte Fouqué, Undine, in which the namesake's water nymph falls in love with a human, but to gain his.. Undine Rising from the Waters. c. 1880-92 Marble Yale University Art Gallery, New Haven. The exquisitely carved wet drapery is one of the most notable American examples of see-through illusionism popular in mid-nineteenth-century sculpture. Page of Undine Rising from the Waters by IVES, Chauncey Bradley in the Web Gallery of Art, a searchable.
